Black Lives Matter.
For too long, the opera industry has participated in violence towards BIPOC.
Blackface, brownface, and yellowface are common occurrences even at the highest levels of our art form.
Singers of color are too often only used as performative tokenism, their pain is used for profit, and their voices are relegated to the margins.
Enough.
These horrible practices must stop, and we must take a close look at the way our industry has participated in systemic racism. And then we must change.
This work begins with us, as individual artists, and as artistic institutions.
We must do our homework, listen to and amplify the voices of those who have been marginalized.
To that end, can we make a commitment to ensuring that at least 50% of our programming has been composed or written by BIPOC and/or women in the coming seasons?
Can we call on our opera companies, church music programs, and other artistic institutions to do the same?
We think we can, and we’re certain that we should.
Below you will find links to resources to get you started, as well as links to additional resources that were mentioned in Episode 15 that relate to this issue.
Let’s be the change that we want to see.
Repertoire Resources
- Music by Black Composers’ Living Black Composers Database
- Marques L. A. Garret’s Non-idiomatic Choral Music of Black Composers Database
- Institute for Composer Diversity’s Databases
- New Music USA’s Article About and Link to the Women Composers Database
- A Modern Reveal: Songs and Stories of Women Composers
Advocacy/Educational Instagram Accounts to Follow
- Women on the Verge (they have great FREE webinars!)
- Opera Is Racist
- If you have a story, you can DM them or email them at rasisminopera@gmail.com
- Black Women In Opera
- Black Men In Opera
- I Weigh
Online Concert Resources
- Entrepreneurship and Art’s “Remote Musician Handbook”
- The Beard and Lens’ “How to Shoot an Opera Video with Gear You Already Own” [aka your phone]
- Perform online with Groupmuse
- Polish Your Online Concerts with the Following Apps
- CS Music’s Article About Microphones
- Soprano on the Verge’s Post Discussing the Wisdom of Online Opera Content
- Boston Camerata’s Encouraging Study About Audience Participation in Online Concerts
If there are additional resources you think should be added to this list, please share them with us via email: info@mysocalledoperalife.com